test_staverepetitions_coda_etc.musicxml 8.7 KB

123456789101112131415161718192021222324252627282930313233343536373839404142434445464748495051525354555657585960616263646566676869707172737475767778798081828384858687888990919293949596979899100101102103104105106107108109110111112113114115116117118119120121122123124125126127128129130131132133134135136137138139140141142143144145146147148149150151152153154155156157158159160161162163164165166167168169170171172173174175176177178179180181182183184185186187188189190191192193194195196197198199200201202203204205206207208209210211212213214215216217218219220221222223224225226227228229230231232233234235236237238239240241242243244245246247248249250251252253254255256257258259260261262263264265266267268269270271272273274275276277278279280281282283284285286287288289290291292293294295296297298299300301302303304305306307308309310311312313314315316317318319320321322323324325326327328329330331332333334335336337338339340341342343344345346347348349350351352353354355356357358359
  1. <?xml version="1.0" encoding="UTF-8"?>
  2. <!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 2.0 Partwise//EN"
  3. "http://www.musicxml.org/dtds/partwise.dtd">
  4. <score-partwise version="2.0">
  5. <work>
  6. <work-title>Test - StaveRepetitions (Coda etc)</work-title>
  7. </work>
  8. <identification>
  9. <creator type="composer"/>
  10. <creator type="lyricist"/>
  11. <rights/>
  12. <encoding>
  13. <software>Noteflight version 0.3.2</software>
  14. <encoding-date>2013-06-03</encoding-date>
  15. <supports attribute="new-system" element="print" type="no" value="no"/>
  16. <supports attribute="new-page" element="print" type="no" value="no"/>
  17. </encoding>
  18. </identification>
  19. <defaults>
  20. <scaling>
  21. <millimeters>2.1166666679999997</millimeters>
  22. <tenths>10</tenths>
  23. </scaling>
  24. <page-layout>
  25. <page-height>1320</page-height>
  26. <page-width>1020</page-width>
  27. <page-margins type="both">
  28. <left-margin>59.583333333333336</left-margin>
  29. <right-margin>56.66666666666667</right-margin>
  30. <top-margin>96.66666666666667</top-margin>
  31. <bottom-margin>80</bottom-margin>
  32. </page-margins>
  33. </page-layout>
  34. <system-layout>
  35. <system-margins>
  36. <left-margin>59.583333333333336</left-margin>
  37. <right-margin>26.666666666666668</right-margin>
  38. </system-margins>
  39. <system-distance>92.5</system-distance>
  40. <top-system-distance>145.83333333333334</top-system-distance>
  41. </system-layout>
  42. <staff-layout>
  43. <staff-distance>55</staff-distance>
  44. </staff-layout>
  45. </defaults>
  46. <part-list>
  47. <score-part id="P1">
  48. <part-name>Piano</part-name>
  49. <part-abbreviation>Pno</part-abbreviation>
  50. <score-instrument id="P1I1">
  51. <instrument-name>Piano</instrument-name>
  52. </score-instrument>
  53. <midi-instrument id="P1I1">
  54. <midi-channel>1</midi-channel>
  55. <midi-program>1</midi-program>
  56. </midi-instrument>
  57. </score-part>
  58. </part-list>
  59. <part id="P1">
  60. <measure number="1">
  61. <attributes>
  62. <divisions>64</divisions>
  63. <key>
  64. <fifths>0</fifths>
  65. <mode>major</mode>
  66. </key>
  67. <time>
  68. <beats>4</beats>
  69. <beat-type>4</beat-type>
  70. </time>
  71. <staves>2</staves>
  72. <clef number="1">
  73. <sign>G</sign>
  74. <line>2</line>
  75. </clef>
  76. </attributes>
  77. <direction placement="above">
  78. <direction-type>
  79. <metronome>
  80. <beat-unit>quarter</beat-unit>
  81. <per-minute>120</per-minute>
  82. </metronome>
  83. </direction-type>
  84. <sound tempo="120"/>
  85. </direction>
  86. <direction placement="above">
  87. <direction-type>
  88. <metronome>
  89. <beat-unit>quarter</beat-unit>
  90. <per-minute>120</per-minute>
  91. </metronome>
  92. </direction-type>
  93. <sound tempo="120"/>
  94. </direction>
  95. <direction placement="above">
  96. <direction-type>
  97. <segno/>
  98. </direction-type>
  99. </direction>
  100. <note>
  101. <pitch>
  102. <step>A</step>
  103. <octave>4</octave>
  104. </pitch>
  105. <duration>64</duration>
  106. <voice>1</voice>
  107. <type>quarter</type>
  108. <staff>1</staff>
  109. </note>
  110. <note>
  111. <pitch>
  112. <step>A</step>
  113. <octave>4</octave>
  114. </pitch>
  115. <duration>64</duration>
  116. <voice>1</voice>
  117. <type>quarter</type>
  118. <staff>1</staff>
  119. </note>
  120. <note>
  121. <pitch>
  122. <step>A</step>
  123. <octave>4</octave>
  124. </pitch>
  125. <duration>64</duration>
  126. <voice>1</voice>
  127. <type>quarter</type>
  128. <staff>1</staff>
  129. </note>
  130. <note>
  131. <pitch>
  132. <step>A</step>
  133. <octave>4</octave>
  134. </pitch>
  135. <duration>64</duration>
  136. <voice>1</voice>
  137. <type>quarter</type>
  138. <staff>1</staff>
  139. </note>
  140. <backup>
  141. <duration>256</duration>
  142. </backup>
  143. <attributes>
  144. <clef number="2">
  145. <sign>F</sign>
  146. <line>4</line>
  147. </clef>
  148. </attributes>
  149. <note>
  150. <rest/>
  151. <duration>256</duration>
  152. <voice>3</voice>
  153. <type>whole</type>
  154. <staff>2</staff>
  155. </note>
  156. </measure>
  157. <measure number="2">
  158. <attributes/>
  159. <direction placement="above">
  160. <direction-type>
  161. <words>to coda</words>
  162. </direction-type>
  163. </direction>
  164. <note>
  165. <pitch>
  166. <step>C</step>
  167. <octave>5</octave>
  168. </pitch>
  169. <duration>64</duration>
  170. <voice>1</voice>
  171. <type>quarter</type>
  172. <staff>1</staff>
  173. </note>
  174. <note>
  175. <pitch>
  176. <step>C</step>
  177. <octave>5</octave>
  178. </pitch>
  179. <duration>64</duration>
  180. <voice>1</voice>
  181. <type>quarter</type>
  182. <staff>1</staff>
  183. </note>
  184. <note>
  185. <pitch>
  186. <step>C</step>
  187. <octave>5</octave>
  188. </pitch>
  189. <duration>64</duration>
  190. <voice>1</voice>
  191. <type>quarter</type>
  192. <staff>1</staff>
  193. </note>
  194. <note>
  195. <pitch>
  196. <step>C</step>
  197. <octave>5</octave>
  198. </pitch>
  199. <duration>64</duration>
  200. <voice>1</voice>
  201. <type>quarter</type>
  202. <staff>1</staff>
  203. </note>
  204. <backup>
  205. <duration>256</duration>
  206. </backup>
  207. <attributes/>
  208. <note>
  209. <rest/>
  210. <duration>256</duration>
  211. <voice>3</voice>
  212. <type>whole</type>
  213. <staff>2</staff>
  214. </note>
  215. </measure>
  216. <measure number="3">
  217. <attributes/>
  218. <note>
  219. <pitch>
  220. <step>B</step>
  221. <octave>4</octave>
  222. </pitch>
  223. <duration>64</duration>
  224. <voice>1</voice>
  225. <type>quarter</type>
  226. <staff>1</staff>
  227. </note>
  228. <note>
  229. <pitch>
  230. <step>B</step>
  231. <octave>4</octave>
  232. </pitch>
  233. <duration>64</duration>
  234. <voice>1</voice>
  235. <type>quarter</type>
  236. <staff>1</staff>
  237. </note>
  238. <note>
  239. <pitch>
  240. <step>B</step>
  241. <octave>4</octave>
  242. </pitch>
  243. <duration>64</duration>
  244. <voice>1</voice>
  245. <type>quarter</type>
  246. <staff>1</staff>
  247. </note>
  248. <note>
  249. <pitch>
  250. <step>B</step>
  251. <octave>4</octave>
  252. </pitch>
  253. <duration>64</duration>
  254. <voice>1</voice>
  255. <type>quarter</type>
  256. <staff>1</staff>
  257. </note>
  258. <direction placement="above">
  259. <direction-type>
  260. <words>D.S. al Coda</words>
  261. </direction-type>
  262. </direction>
  263. <backup>
  264. <duration>256</duration>
  265. </backup>
  266. <attributes/>
  267. <note>
  268. <rest/>
  269. <duration>256</duration>
  270. <voice>3</voice>
  271. <type>whole</type>
  272. <staff>2</staff>
  273. </note>
  274. </measure>
  275. <measure number="4">
  276. <attributes/>
  277. <direction placement="above">
  278. <direction-type>
  279. <coda/>
  280. </direction-type>
  281. </direction>
  282. <note>
  283. <pitch>
  284. <step>A</step>
  285. <octave>4</octave>
  286. </pitch>
  287. <duration>64</duration>
  288. <voice>1</voice>
  289. <type>quarter</type>
  290. <staff>1</staff>
  291. </note>
  292. <note>
  293. <pitch>
  294. <step>A</step>
  295. <octave>4</octave>
  296. </pitch>
  297. <duration>64</duration>
  298. <voice>1</voice>
  299. <type>quarter</type>
  300. <staff>1</staff>
  301. </note>
  302. <note>
  303. <pitch>
  304. <step>A</step>
  305. <octave>4</octave>
  306. </pitch>
  307. <duration>64</duration>
  308. <voice>1</voice>
  309. <type>quarter</type>
  310. <staff>1</staff>
  311. </note>
  312. <note>
  313. <pitch>
  314. <step>A</step>
  315. <octave>4</octave>
  316. </pitch>
  317. <duration>64</duration>
  318. <voice>1</voice>
  319. <type>quarter</type>
  320. <staff>1</staff>
  321. </note>
  322. <backup>
  323. <duration>256</duration>
  324. </backup>
  325. <attributes/>
  326. <note>
  327. <rest/>
  328. <duration>256</duration>
  329. <voice>3</voice>
  330. <type>whole</type>
  331. <staff>2</staff>
  332. </note>
  333. </measure>
  334. <measure number="5">
  335. <attributes/>
  336. <note>
  337. <rest/>
  338. <duration>256</duration>
  339. <voice>1</voice>
  340. <type>whole</type>
  341. <staff>1</staff>
  342. </note>
  343. <backup>
  344. <duration>256</duration>
  345. </backup>
  346. <attributes/>
  347. <note>
  348. <rest/>
  349. <duration>256</duration>
  350. <voice>3</voice>
  351. <type>whole</type>
  352. <staff>2</staff>
  353. </note>
  354. <barline location="right">
  355. <bar-style>light-heavy</bar-style>
  356. </barline>
  357. </measure>
  358. </part>
  359. </score-partwise>