test_rehearsal_marks_bolivia.musicxml 23 KB

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  1. <?xml version="1.0" encoding="UTF-8"?>
  2. <!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.1 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
  3. <score-partwise>
  4. <<<<<<< HEAD
  5. <movement-title>Bolivia</movement-title>
  6. =======
  7. <movement-title>Test - Rehearsal Marks Bolivia</movement-title>
  8. >>>>>>> osmd-public/develop
  9. <identification>
  10. <creator type="composer">Cedar Extra Name Walton</creator>
  11. <creator type="lyricist">Up Tempo Swing</creator>
  12. <encoding>
  13. <software>@infojunkie/ireal-musicxml</software>
  14. <encoding-date>2020-11-26</encoding-date>
  15. <supports element="accidental" type="no"/>
  16. <supports element="transpose" type="no"/>
  17. <supports attribute="new-page" element="print" type="yes" value="yes"/>
  18. <supports attribute="new-system" element="print" type="yes" value="yes"/>
  19. </encoding>
  20. </identification>
  21. <part-list>
  22. <score-part id="P1">
  23. <part-name print-object="no">Lead sheet</part-name>
  24. </score-part>
  25. </part-list>
  26. <part id="P1">
  27. <measure number="1">
  28. <print new-system="yes"/>
  29. <barline location="left">
  30. <bar-style>heavy-light</bar-style>
  31. <repeat direction="forward"/>
  32. </barline>
  33. <direction placement="above">
  34. <direction-type>
  35. <rehearsal>Intro</rehearsal>
  36. </direction-type>
  37. </direction>
  38. <attributes>
  39. <divisions>768</divisions>
  40. <key>
  41. <fifths>2</fifths>
  42. <mode>major</mode>
  43. </key>
  44. <clef>
  45. <sign>G</sign>
  46. <line>2</line>
  47. </clef>
  48. <measure-style>
  49. <slash type="start" use-stems="no"/>
  50. </measure-style>
  51. </attributes>
  52. <harmony>
  53. <root>
  54. <root-step>G</root-step>
  55. </root>
  56. <kind text="7">dominant</kind>
  57. </harmony>
  58. <note>
  59. <pitch>
  60. <step>B</step>
  61. <alter>0</alter>
  62. <octave>4</octave>
  63. </pitch>
  64. <duration>3072</duration>
  65. <voice>1</voice>
  66. <type>whole</type>
  67. <notehead>slash</notehead>
  68. </note>
  69. <barline location="right">
  70. <bar-style>regular</bar-style>
  71. </barline>
  72. </measure>
  73. <measure number="2">
  74. <harmony>
  75. <root>
  76. <root-step>G</root-step>
  77. </root>
  78. <kind text="7">dominant</kind>
  79. </harmony>
  80. <barline location="left">
  81. <bar-style>none</bar-style>
  82. </barline>
  83. <note>
  84. <pitch>
  85. <step>B</step>
  86. <alter>0</alter>
  87. <octave>4</octave>
  88. </pitch>
  89. <duration>3072</duration>
  90. <voice>1</voice>
  91. <type>whole</type>
  92. <notehead>slash</notehead>
  93. </note>
  94. <barline location="right">
  95. <bar-style>regular</bar-style>
  96. </barline>
  97. </measure>
  98. <measure number="3">
  99. <harmony>
  100. <root>
  101. <root-step>G</root-step>
  102. </root>
  103. <kind text="7">dominant</kind>
  104. </harmony>
  105. <barline location="left">
  106. <bar-style>none</bar-style>
  107. </barline>
  108. <note>
  109. <pitch>
  110. <step>B</step>
  111. <alter>0</alter>
  112. <octave>4</octave>
  113. </pitch>
  114. <duration>3072</duration>
  115. <voice>1</voice>
  116. <type>whole</type>
  117. <notehead>slash</notehead>
  118. </note>
  119. <barline location="right">
  120. <bar-style>regular</bar-style>
  121. </barline>
  122. </measure>
  123. <measure number="4">
  124. <harmony>
  125. <root>
  126. <root-step>G</root-step>
  127. </root>
  128. <kind text="7">dominant</kind>
  129. </harmony>
  130. <barline location="left">
  131. <bar-style>none</bar-style>
  132. </barline>
  133. <note>
  134. <pitch>
  135. <step>B</step>
  136. <alter>0</alter>
  137. <octave>4</octave>
  138. </pitch>
  139. <duration>3072</duration>
  140. <voice>1</voice>
  141. <type>whole</type>
  142. <notehead>slash</notehead>
  143. </note>
  144. <barline location="right">
  145. <bar-style>regular</bar-style>
  146. </barline>
  147. </measure>
  148. <measure number="5">
  149. <harmony>
  150. <root>
  151. <root-step>G</root-step>
  152. </root>
  153. <kind text="7">dominant</kind>
  154. </harmony>
  155. <barline location="left">
  156. <bar-style>none</bar-style>
  157. </barline>
  158. <note>
  159. <pitch>
  160. <step>B</step>
  161. <alter>0</alter>
  162. <octave>4</octave>
  163. </pitch>
  164. <duration>3072</duration>
  165. <voice>1</voice>
  166. <type>whole</type>
  167. <notehead>slash</notehead>
  168. </note>
  169. <barline location="right">
  170. <bar-style>regular</bar-style>
  171. </barline>
  172. </measure>
  173. <measure number="6">
  174. <harmony>
  175. <root>
  176. <root-step>G</root-step>
  177. </root>
  178. <kind text="7">dominant</kind>
  179. </harmony>
  180. <barline location="left">
  181. <bar-style>none</bar-style>
  182. </barline>
  183. <note>
  184. <pitch>
  185. <step>B</step>
  186. <alter>0</alter>
  187. <octave>4</octave>
  188. </pitch>
  189. <duration>3072</duration>
  190. <voice>1</voice>
  191. <type>whole</type>
  192. <notehead>slash</notehead>
  193. </note>
  194. <barline location="right">
  195. <bar-style>regular</bar-style>
  196. </barline>
  197. </measure>
  198. <measure number="7">
  199. <harmony>
  200. <root>
  201. <root-step>G</root-step>
  202. </root>
  203. <kind text="7">dominant</kind>
  204. </harmony>
  205. <barline location="left">
  206. <bar-style>none</bar-style>
  207. </barline>
  208. <note>
  209. <pitch>
  210. <step>B</step>
  211. <alter>0</alter>
  212. <octave>4</octave>
  213. </pitch>
  214. <duration>3072</duration>
  215. <voice>1</voice>
  216. <type>whole</type>
  217. <notehead>slash</notehead>
  218. </note>
  219. <barline location="right">
  220. <bar-style>regular</bar-style>
  221. </barline>
  222. </measure>
  223. <measure number="8">
  224. <harmony>
  225. <root>
  226. <root-step>G</root-step>
  227. </root>
  228. <kind text="7">dominant</kind>
  229. </harmony>
  230. <barline location="left">
  231. <bar-style>none</bar-style>
  232. </barline>
  233. <note>
  234. <pitch>
  235. <step>B</step>
  236. <alter>0</alter>
  237. <octave>4</octave>
  238. </pitch>
  239. <duration>3072</duration>
  240. <voice>1</voice>
  241. <type>whole</type>
  242. <notehead>slash</notehead>
  243. </note>
  244. <barline location="right">
  245. <bar-style>light-heavy</bar-style>
  246. <repeat direction="backward"/>
  247. </barline>
  248. </measure>
  249. <measure number="9">
  250. <print new-system="yes"/>
  251. <barline location="left">
  252. <bar-style>light-light</bar-style>
  253. </barline>
  254. <direction placement="above">
  255. <direction-type>
  256. <rehearsal>A</rehearsal>
  257. </direction-type>
  258. </direction>
  259. <attributes>
  260. <time>
  261. <beats>4</beats>
  262. <beat-type>4</beat-type>
  263. </time>
  264. </attributes>
  265. <harmony>
  266. <root>
  267. <root-step>E</root-step>
  268. <root-alter>-1</root-alter>
  269. </root>
  270. <kind text="△7">major-seventh</kind>
  271. </harmony>
  272. <note>
  273. <pitch>
  274. <step>B</step>
  275. <alter>0</alter>
  276. <octave>4</octave>
  277. </pitch>
  278. <duration>3072</duration>
  279. <voice>1</voice>
  280. <type>whole</type>
  281. <notehead>slash</notehead>
  282. </note>
  283. <barline location="right">
  284. <bar-style>regular</bar-style>
  285. </barline>
  286. </measure>
  287. <measure number="10">
  288. <harmony>
  289. <root>
  290. <root-step>A</root-step>
  291. </root>
  292. <kind text="13">dominant-13th</kind>
  293. </harmony>
  294. <barline location="left">
  295. <bar-style>none</bar-style>
  296. </barline>
  297. <note>
  298. <pitch>
  299. <step>B</step>
  300. <alter>0</alter>
  301. <octave>4</octave>
  302. </pitch>
  303. <duration>3072</duration>
  304. <voice>1</voice>
  305. <type>whole</type>
  306. <notehead>slash</notehead>
  307. </note>
  308. <barline location="right">
  309. <bar-style>regular</bar-style>
  310. </barline>
  311. </measure>
  312. <measure number="11">
  313. <harmony>
  314. <root>
  315. <root-step>D</root-step>
  316. </root>
  317. <kind text="△7">major-seventh</kind>
  318. </harmony>
  319. <barline location="left">
  320. <bar-style>none</bar-style>
  321. </barline>
  322. <note>
  323. <pitch>
  324. <step>B</step>
  325. <alter>0</alter>
  326. <octave>4</octave>
  327. </pitch>
  328. <duration>3072</duration>
  329. <voice>1</voice>
  330. <type>whole</type>
  331. <notehead>slash</notehead>
  332. </note>
  333. <barline location="right">
  334. <bar-style>regular</bar-style>
  335. </barline>
  336. </measure>
  337. <measure number="12">
  338. <harmony>
  339. <root>
  340. <root-step>A</root-step>
  341. <root-alter>-1</root-alter>
  342. </root>
  343. <kind text="13">dominant-13th</kind>
  344. <degree>
  345. <degree-value>9</degree-value>
  346. <degree-alter>-1</degree-alter>
  347. <degree-type>alter</degree-type>
  348. </degree>
  349. </harmony>
  350. <barline location="left">
  351. <bar-style>none</bar-style>
  352. </barline>
  353. <note>
  354. <pitch>
  355. <step>B</step>
  356. <alter>0</alter>
  357. <octave>4</octave>
  358. </pitch>
  359. <duration>3072</duration>
  360. <voice>1</voice>
  361. <type>whole</type>
  362. <notehead>slash</notehead>
  363. </note>
  364. <barline location="right">
  365. <bar-style>regular</bar-style>
  366. </barline>
  367. </measure>
  368. <measure number="13">
  369. <print new-system="yes"/>
  370. <barline location="left">
  371. <bar-style>none</bar-style>
  372. </barline>
  373. <harmony>
  374. <root>
  375. <root-step>G</root-step>
  376. </root>
  377. <kind text="△7">major-seventh</kind>
  378. </harmony>
  379. <note>
  380. <pitch>
  381. <step>B</step>
  382. <alter>0</alter>
  383. <octave>4</octave>
  384. </pitch>
  385. <duration>3072</duration>
  386. <voice>1</voice>
  387. <type>whole</type>
  388. <notehead>slash</notehead>
  389. </note>
  390. <barline location="right">
  391. <bar-style>regular</bar-style>
  392. </barline>
  393. </measure>
  394. <measure number="14">
  395. <harmony>
  396. <root>
  397. <root-step>F</root-step>
  398. <root-alter>1</root-alter>
  399. </root>
  400. <kind text="7">dominant</kind>
  401. <degree>
  402. <degree-value>13</degree-value>
  403. <degree-alter>-1</degree-alter>
  404. <degree-type>add</degree-type>
  405. </degree>
  406. </harmony>
  407. <barline location="left">
  408. <bar-style>none</bar-style>
  409. </barline>
  410. <note>
  411. <pitch>
  412. <step>B</step>
  413. <alter>0</alter>
  414. <octave>4</octave>
  415. </pitch>
  416. <duration>3072</duration>
  417. <voice>1</voice>
  418. <type>whole</type>
  419. <notehead>slash</notehead>
  420. </note>
  421. <barline location="right">
  422. <bar-style>regular</bar-style>
  423. </barline>
  424. </measure>
  425. <measure number="15">
  426. <harmony>
  427. <root>
  428. <root-step>B</root-step>
  429. </root>
  430. <kind text="m7">minor-seventh</kind>
  431. </harmony>
  432. <barline location="left">
  433. <bar-style>none</bar-style>
  434. </barline>
  435. <note>
  436. <pitch>
  437. <step>B</step>
  438. <alter>0</alter>
  439. <octave>4</octave>
  440. </pitch>
  441. <duration>3072</duration>
  442. <voice>1</voice>
  443. <type>whole</type>
  444. <notehead>slash</notehead>
  445. </note>
  446. <barline location="right">
  447. <bar-style>regular</bar-style>
  448. </barline>
  449. </measure>
  450. <measure number="16">
  451. <harmony>
  452. <root>
  453. <root-step>C</root-step>
  454. </root>
  455. <kind text="△7">major-seventh</kind>
  456. <degree>
  457. <degree-value>11</degree-value>
  458. <degree-alter>1</degree-alter>
  459. <degree-type>add</degree-type>
  460. </degree>
  461. </harmony>
  462. <barline location="left">
  463. <bar-style>none</bar-style>
  464. </barline>
  465. <note>
  466. <pitch>
  467. <step>B</step>
  468. <alter>0</alter>
  469. <octave>4</octave>
  470. </pitch>
  471. <duration>3072</duration>
  472. <voice>1</voice>
  473. <type>whole</type>
  474. <notehead>slash</notehead>
  475. </note>
  476. <barline location="right">
  477. <bar-style>regular</bar-style>
  478. </barline>
  479. </measure>
  480. <measure number="17">
  481. <print new-system="yes"/>
  482. <barline location="left">
  483. <bar-style>none</bar-style>
  484. </barline>
  485. <harmony>
  486. <root>
  487. <root-step>B</root-step>
  488. </root>
  489. <kind text="m7">minor-seventh</kind>
  490. </harmony>
  491. <note>
  492. <pitch>
  493. <step>B</step>
  494. <alter>0</alter>
  495. <octave>4</octave>
  496. </pitch>
  497. <duration>3072</duration>
  498. <voice>1</voice>
  499. <type>whole</type>
  500. <notehead>slash</notehead>
  501. </note>
  502. <barline location="right">
  503. <bar-style>regular</bar-style>
  504. </barline>
  505. </measure>
  506. <measure number="18">
  507. <harmony>
  508. <root>
  509. <root-step>B</root-step>
  510. </root>
  511. <kind text="m7">minor-seventh</kind>
  512. <bass>
  513. <bass-step>A</bass-step>
  514. </bass>
  515. </harmony>
  516. <barline location="left">
  517. <bar-style>none</bar-style>
  518. </barline>
  519. <note>
  520. <pitch>
  521. <step>B</step>
  522. <alter>0</alter>
  523. <octave>4</octave>
  524. </pitch>
  525. <duration>3072</duration>
  526. <voice>1</voice>
  527. <type>whole</type>
  528. <notehead>slash</notehead>
  529. </note>
  530. <barline location="right">
  531. <bar-style>regular</bar-style>
  532. </barline>
  533. </measure>
  534. <measure number="19">
  535. <harmony>
  536. <root>
  537. <root-step>G</root-step>
  538. <root-alter>1</root-alter>
  539. </root>
  540. <kind text="ø7">half-diminished</kind>
  541. </harmony>
  542. <barline location="left">
  543. <bar-style>none</bar-style>
  544. </barline>
  545. <note>
  546. <pitch>
  547. <step>B</step>
  548. <alter>0</alter>
  549. <octave>4</octave>
  550. </pitch>
  551. <duration>3072</duration>
  552. <voice>1</voice>
  553. <type>whole</type>
  554. <notehead>slash</notehead>
  555. </note>
  556. <barline location="right">
  557. <bar-style>regular</bar-style>
  558. </barline>
  559. </measure>
  560. <measure number="20">
  561. <harmony>
  562. <root>
  563. <root-step>G</root-step>
  564. </root>
  565. <kind text="m7">minor-seventh</kind>
  566. </harmony>
  567. <barline location="left">
  568. <bar-style>none</bar-style>
  569. </barline>
  570. <note>
  571. <pitch>
  572. <step>B</step>
  573. <alter>0</alter>
  574. <octave>4</octave>
  575. </pitch>
  576. <duration>1536</duration>
  577. <voice>1</voice>
  578. <type>half</type>
  579. <notehead>slash</notehead>
  580. </note>
  581. <harmony>
  582. <root>
  583. <root-step>C</root-step>
  584. </root>
  585. <kind text="7">dominant</kind>
  586. </harmony>
  587. <note>
  588. <pitch>
  589. <step>B</step>
  590. <alter>0</alter>
  591. <octave>4</octave>
  592. </pitch>
  593. <duration>1536</duration>
  594. <voice>1</voice>
  595. <type>half</type>
  596. <notehead>slash</notehead>
  597. </note>
  598. <barline location="right">
  599. <bar-style>regular</bar-style>
  600. </barline>
  601. </measure>
  602. <measure number="21">
  603. <print new-system="yes"/>
  604. <barline location="left">
  605. <bar-style>none</bar-style>
  606. </barline>
  607. <harmony>
  608. <root>
  609. <root-step>F</root-step>
  610. </root>
  611. <kind text="△7">major-seventh</kind>
  612. </harmony>
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