test_rehearsal_marks_bolivia.musicxml 23 KB

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  1. <?xml version="1.0" encoding="UTF-8"?>
  2. <!DOCTYPE score-partwise PUBLIC "-//Recordare//DTD MusicXML 3.1 Partwise//EN" "http://www.musicxml.org/dtds/partwise.dtd">
  3. <score-partwise>
  4. <movement-title>Test - Rehearsal Marks Bolivia</movement-title>
  5. <identification>
  6. <creator type="composer">Cedar Extra Name Walton</creator>
  7. <creator type="lyricist">Up Tempo Swing</creator>
  8. <encoding>
  9. <software>@infojunkie/ireal-musicxml</software>
  10. <encoding-date>2020-11-26</encoding-date>
  11. <supports element="accidental" type="no"/>
  12. <supports element="transpose" type="no"/>
  13. <supports attribute="new-page" element="print" type="yes" value="yes"/>
  14. <supports attribute="new-system" element="print" type="yes" value="yes"/>
  15. </encoding>
  16. </identification>
  17. <part-list>
  18. <score-part id="P1">
  19. <part-name print-object="no">Lead sheet</part-name>
  20. </score-part>
  21. </part-list>
  22. <part id="P1">
  23. <measure number="1">
  24. <print new-system="yes"/>
  25. <barline location="left">
  26. <bar-style>heavy-light</bar-style>
  27. <repeat direction="forward"/>
  28. </barline>
  29. <direction placement="above">
  30. <direction-type>
  31. <rehearsal>Intro</rehearsal>
  32. </direction-type>
  33. </direction>
  34. <attributes>
  35. <divisions>768</divisions>
  36. <key>
  37. <fifths>2</fifths>
  38. <mode>major</mode>
  39. </key>
  40. <clef>
  41. <sign>G</sign>
  42. <line>2</line>
  43. </clef>
  44. <measure-style>
  45. <slash type="start" use-stems="no"/>
  46. </measure-style>
  47. </attributes>
  48. <harmony>
  49. <root>
  50. <root-step>G</root-step>
  51. </root>
  52. <kind text="7">dominant</kind>
  53. </harmony>
  54. <note>
  55. <pitch>
  56. <step>B</step>
  57. <alter>0</alter>
  58. <octave>4</octave>
  59. </pitch>
  60. <duration>3072</duration>
  61. <voice>1</voice>
  62. <type>whole</type>
  63. <notehead>slash</notehead>
  64. </note>
  65. <barline location="right">
  66. <bar-style>regular</bar-style>
  67. </barline>
  68. </measure>
  69. <measure number="2">
  70. <harmony>
  71. <root>
  72. <root-step>G</root-step>
  73. </root>
  74. <kind text="7">dominant</kind>
  75. </harmony>
  76. <barline location="left">
  77. <bar-style>none</bar-style>
  78. </barline>
  79. <note>
  80. <pitch>
  81. <step>B</step>
  82. <alter>0</alter>
  83. <octave>4</octave>
  84. </pitch>
  85. <duration>3072</duration>
  86. <voice>1</voice>
  87. <type>whole</type>
  88. <notehead>slash</notehead>
  89. </note>
  90. <barline location="right">
  91. <bar-style>regular</bar-style>
  92. </barline>
  93. </measure>
  94. <measure number="3">
  95. <harmony>
  96. <root>
  97. <root-step>G</root-step>
  98. </root>
  99. <kind text="7">dominant</kind>
  100. </harmony>
  101. <barline location="left">
  102. <bar-style>none</bar-style>
  103. </barline>
  104. <note>
  105. <pitch>
  106. <step>B</step>
  107. <alter>0</alter>
  108. <octave>4</octave>
  109. </pitch>
  110. <duration>3072</duration>
  111. <voice>1</voice>
  112. <type>whole</type>
  113. <notehead>slash</notehead>
  114. </note>
  115. <barline location="right">
  116. <bar-style>regular</bar-style>
  117. </barline>
  118. </measure>
  119. <measure number="4">
  120. <harmony>
  121. <root>
  122. <root-step>G</root-step>
  123. </root>
  124. <kind text="7">dominant</kind>
  125. </harmony>
  126. <barline location="left">
  127. <bar-style>none</bar-style>
  128. </barline>
  129. <note>
  130. <pitch>
  131. <step>B</step>
  132. <alter>0</alter>
  133. <octave>4</octave>
  134. </pitch>
  135. <duration>3072</duration>
  136. <voice>1</voice>
  137. <type>whole</type>
  138. <notehead>slash</notehead>
  139. </note>
  140. <barline location="right">
  141. <bar-style>regular</bar-style>
  142. </barline>
  143. </measure>
  144. <measure number="5">
  145. <harmony>
  146. <root>
  147. <root-step>G</root-step>
  148. </root>
  149. <kind text="7">dominant</kind>
  150. </harmony>
  151. <barline location="left">
  152. <bar-style>none</bar-style>
  153. </barline>
  154. <note>
  155. <pitch>
  156. <step>B</step>
  157. <alter>0</alter>
  158. <octave>4</octave>
  159. </pitch>
  160. <duration>3072</duration>
  161. <voice>1</voice>
  162. <type>whole</type>
  163. <notehead>slash</notehead>
  164. </note>
  165. <barline location="right">
  166. <bar-style>regular</bar-style>
  167. </barline>
  168. </measure>
  169. <measure number="6">
  170. <harmony>
  171. <root>
  172. <root-step>G</root-step>
  173. </root>
  174. <kind text="7">dominant</kind>
  175. </harmony>
  176. <barline location="left">
  177. <bar-style>none</bar-style>
  178. </barline>
  179. <note>
  180. <pitch>
  181. <step>B</step>
  182. <alter>0</alter>
  183. <octave>4</octave>
  184. </pitch>
  185. <duration>3072</duration>
  186. <voice>1</voice>
  187. <type>whole</type>
  188. <notehead>slash</notehead>
  189. </note>
  190. <barline location="right">
  191. <bar-style>regular</bar-style>
  192. </barline>
  193. </measure>
  194. <measure number="7">
  195. <harmony>
  196. <root>
  197. <root-step>G</root-step>
  198. </root>
  199. <kind text="7">dominant</kind>
  200. </harmony>
  201. <barline location="left">
  202. <bar-style>none</bar-style>
  203. </barline>
  204. <note>
  205. <pitch>
  206. <step>B</step>
  207. <alter>0</alter>
  208. <octave>4</octave>
  209. </pitch>
  210. <duration>3072</duration>
  211. <voice>1</voice>
  212. <type>whole</type>
  213. <notehead>slash</notehead>
  214. </note>
  215. <barline location="right">
  216. <bar-style>regular</bar-style>
  217. </barline>
  218. </measure>
  219. <measure number="8">
  220. <harmony>
  221. <root>
  222. <root-step>G</root-step>
  223. </root>
  224. <kind text="7">dominant</kind>
  225. </harmony>
  226. <barline location="left">
  227. <bar-style>none</bar-style>
  228. </barline>
  229. <note>
  230. <pitch>
  231. <step>B</step>
  232. <alter>0</alter>
  233. <octave>4</octave>
  234. </pitch>
  235. <duration>3072</duration>
  236. <voice>1</voice>
  237. <type>whole</type>
  238. <notehead>slash</notehead>
  239. </note>
  240. <barline location="right">
  241. <bar-style>light-heavy</bar-style>
  242. <repeat direction="backward"/>
  243. </barline>
  244. </measure>
  245. <measure number="9">
  246. <print new-system="yes"/>
  247. <barline location="left">
  248. <bar-style>light-light</bar-style>
  249. </barline>
  250. <direction placement="above">
  251. <direction-type>
  252. <rehearsal>A</rehearsal>
  253. </direction-type>
  254. </direction>
  255. <attributes>
  256. <time>
  257. <beats>4</beats>
  258. <beat-type>4</beat-type>
  259. </time>
  260. </attributes>
  261. <harmony>
  262. <root>
  263. <root-step>E</root-step>
  264. <root-alter>-1</root-alter>
  265. </root>
  266. <kind text="△7">major-seventh</kind>
  267. </harmony>
  268. <note>
  269. <pitch>
  270. <step>B</step>
  271. <alter>0</alter>
  272. <octave>4</octave>
  273. </pitch>
  274. <duration>3072</duration>
  275. <voice>1</voice>
  276. <type>whole</type>
  277. <notehead>slash</notehead>
  278. </note>
  279. <barline location="right">
  280. <bar-style>regular</bar-style>
  281. </barline>
  282. </measure>
  283. <measure number="10">
  284. <harmony>
  285. <root>
  286. <root-step>A</root-step>
  287. </root>
  288. <kind text="13">dominant-13th</kind>
  289. </harmony>
  290. <barline location="left">
  291. <bar-style>none</bar-style>
  292. </barline>
  293. <note>
  294. <pitch>
  295. <step>B</step>
  296. <alter>0</alter>
  297. <octave>4</octave>
  298. </pitch>
  299. <duration>3072</duration>
  300. <voice>1</voice>
  301. <type>whole</type>
  302. <notehead>slash</notehead>
  303. </note>
  304. <barline location="right">
  305. <bar-style>regular</bar-style>
  306. </barline>
  307. </measure>
  308. <measure number="11">
  309. <harmony>
  310. <root>
  311. <root-step>D</root-step>
  312. </root>
  313. <kind text="△7">major-seventh</kind>
  314. </harmony>
  315. <barline location="left">
  316. <bar-style>none</bar-style>
  317. </barline>
  318. <note>
  319. <pitch>
  320. <step>B</step>
  321. <alter>0</alter>
  322. <octave>4</octave>
  323. </pitch>
  324. <duration>3072</duration>
  325. <voice>1</voice>
  326. <type>whole</type>
  327. <notehead>slash</notehead>
  328. </note>
  329. <barline location="right">
  330. <bar-style>regular</bar-style>
  331. </barline>
  332. </measure>
  333. <measure number="12">
  334. <harmony>
  335. <root>
  336. <root-step>A</root-step>
  337. <root-alter>-1</root-alter>
  338. </root>
  339. <kind text="13">dominant-13th</kind>
  340. <degree>
  341. <degree-value>9</degree-value>
  342. <degree-alter>-1</degree-alter>
  343. <degree-type>alter</degree-type>
  344. </degree>
  345. </harmony>
  346. <barline location="left">
  347. <bar-style>none</bar-style>
  348. </barline>
  349. <note>
  350. <pitch>
  351. <step>B</step>
  352. <alter>0</alter>
  353. <octave>4</octave>
  354. </pitch>
  355. <duration>3072</duration>
  356. <voice>1</voice>
  357. <type>whole</type>
  358. <notehead>slash</notehead>
  359. </note>
  360. <barline location="right">
  361. <bar-style>regular</bar-style>
  362. </barline>
  363. </measure>
  364. <measure number="13">
  365. <print new-system="yes"/>
  366. <barline location="left">
  367. <bar-style>none</bar-style>
  368. </barline>
  369. <harmony>
  370. <root>
  371. <root-step>G</root-step>
  372. </root>
  373. <kind text="△7">major-seventh</kind>
  374. </harmony>
  375. <note>
  376. <pitch>
  377. <step>B</step>
  378. <alter>0</alter>
  379. <octave>4</octave>
  380. </pitch>
  381. <duration>3072</duration>
  382. <voice>1</voice>
  383. <type>whole</type>
  384. <notehead>slash</notehead>
  385. </note>
  386. <barline location="right">
  387. <bar-style>regular</bar-style>
  388. </barline>
  389. </measure>
  390. <measure number="14">
  391. <harmony>
  392. <root>
  393. <root-step>F</root-step>
  394. <root-alter>1</root-alter>
  395. </root>
  396. <kind text="7">dominant</kind>
  397. <degree>
  398. <degree-value>13</degree-value>
  399. <degree-alter>-1</degree-alter>
  400. <degree-type>add</degree-type>
  401. </degree>
  402. </harmony>
  403. <barline location="left">
  404. <bar-style>none</bar-style>
  405. </barline>
  406. <note>
  407. <pitch>
  408. <step>B</step>
  409. <alter>0</alter>
  410. <octave>4</octave>
  411. </pitch>
  412. <duration>3072</duration>
  413. <voice>1</voice>
  414. <type>whole</type>
  415. <notehead>slash</notehead>
  416. </note>
  417. <barline location="right">
  418. <bar-style>regular</bar-style>
  419. </barline>
  420. </measure>
  421. <measure number="15">
  422. <harmony>
  423. <root>
  424. <root-step>B</root-step>
  425. </root>
  426. <kind text="m7">minor-seventh</kind>
  427. </harmony>
  428. <barline location="left">
  429. <bar-style>none</bar-style>
  430. </barline>
  431. <note>
  432. <pitch>
  433. <step>B</step>
  434. <alter>0</alter>
  435. <octave>4</octave>
  436. </pitch>
  437. <duration>3072</duration>
  438. <voice>1</voice>
  439. <type>whole</type>
  440. <notehead>slash</notehead>
  441. </note>
  442. <barline location="right">
  443. <bar-style>regular</bar-style>
  444. </barline>
  445. </measure>
  446. <measure number="16">
  447. <harmony>
  448. <root>
  449. <root-step>C</root-step>
  450. </root>
  451. <kind text="△7">major-seventh</kind>
  452. <degree>
  453. <degree-value>11</degree-value>
  454. <degree-alter>1</degree-alter>
  455. <degree-type>add</degree-type>
  456. </degree>
  457. </harmony>
  458. <barline location="left">
  459. <bar-style>none</bar-style>
  460. </barline>
  461. <note>
  462. <pitch>
  463. <step>B</step>
  464. <alter>0</alter>
  465. <octave>4</octave>
  466. </pitch>
  467. <duration>3072</duration>
  468. <voice>1</voice>
  469. <type>whole</type>
  470. <notehead>slash</notehead>
  471. </note>
  472. <barline location="right">
  473. <bar-style>regular</bar-style>
  474. </barline>
  475. </measure>
  476. <measure number="17">
  477. <print new-system="yes"/>
  478. <barline location="left">
  479. <bar-style>none</bar-style>
  480. </barline>
  481. <harmony>
  482. <root>
  483. <root-step>B</root-step>
  484. </root>
  485. <kind text="m7">minor-seventh</kind>
  486. </harmony>
  487. <note>
  488. <pitch>
  489. <step>B</step>
  490. <alter>0</alter>
  491. <octave>4</octave>
  492. </pitch>
  493. <duration>3072</duration>
  494. <voice>1</voice>
  495. <type>whole</type>
  496. <notehead>slash</notehead>
  497. </note>
  498. <barline location="right">
  499. <bar-style>regular</bar-style>
  500. </barline>
  501. </measure>
  502. <measure number="18">
  503. <harmony>
  504. <root>
  505. <root-step>B</root-step>
  506. </root>
  507. <kind text="m7">minor-seventh</kind>
  508. <bass>
  509. <bass-step>A</bass-step>
  510. </bass>
  511. </harmony>
  512. <barline location="left">
  513. <bar-style>none</bar-style>
  514. </barline>
  515. <note>
  516. <pitch>
  517. <step>B</step>
  518. <alter>0</alter>
  519. <octave>4</octave>
  520. </pitch>
  521. <duration>3072</duration>
  522. <voice>1</voice>
  523. <type>whole</type>
  524. <notehead>slash</notehead>
  525. </note>
  526. <barline location="right">
  527. <bar-style>regular</bar-style>
  528. </barline>
  529. </measure>
  530. <measure number="19">
  531. <harmony>
  532. <root>
  533. <root-step>G</root-step>
  534. <root-alter>1</root-alter>
  535. </root>
  536. <kind text="ø7">half-diminished</kind>
  537. </harmony>
  538. <barline location="left">
  539. <bar-style>none</bar-style>
  540. </barline>
  541. <note>
  542. <pitch>
  543. <step>B</step>
  544. <alter>0</alter>
  545. <octave>4</octave>
  546. </pitch>
  547. <duration>3072</duration>
  548. <voice>1</voice>
  549. <type>whole</type>
  550. <notehead>slash</notehead>
  551. </note>
  552. <barline location="right">
  553. <bar-style>regular</bar-style>
  554. </barline>
  555. </measure>
  556. <measure number="20">
  557. <harmony>
  558. <root>
  559. <root-step>G</root-step>
  560. </root>
  561. <kind text="m7">minor-seventh</kind>
  562. </harmony>
  563. <barline location="left">
  564. <bar-style>none</bar-style>
  565. </barline>
  566. <note>
  567. <pitch>
  568. <step>B</step>
  569. <alter>0</alter>
  570. <octave>4</octave>
  571. </pitch>
  572. <duration>1536</duration>
  573. <voice>1</voice>
  574. <type>half</type>
  575. <notehead>slash</notehead>
  576. </note>
  577. <harmony>
  578. <root>
  579. <root-step>C</root-step>
  580. </root>
  581. <kind text="7">dominant</kind>
  582. </harmony>
  583. <note>
  584. <pitch>
  585. <step>B</step>
  586. <alter>0</alter>
  587. <octave>4</octave>
  588. </pitch>
  589. <duration>1536</duration>
  590. <voice>1</voice>
  591. <type>half</type>
  592. <notehead>slash</notehead>
  593. </note>
  594. <barline location="right">
  595. <bar-style>regular</bar-style>
  596. </barline>
  597. </measure>
  598. <measure number="21">
  599. <print new-system="yes"/>
  600. <barline location="left">
  601. <bar-style>none</bar-style>
  602. </barline>
  603. <harmony>
  604. <root>
  605. <root-step>F</root-step>
  606. </root>
  607. <kind text="△7">major-seventh</kind>
  608. </harmony>
  609. <note>
  610. <pitch>
  611. <step>B</step>
  612. <alter>0</alter>
  613. <octave>4</octave>
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